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MIDPOINT Series Launch 2023

Series
Archive

Make your series idea a marketable project. Learn how to improve your script as well as your skills, and find out possible funding opportunities. Both limited and ongoing series projects are welcome.

Projekty

Nine promising series projects

Participating projects are divided into three groups of three, and each group's development is overseen by both a group leader and participating development executive. 

Arizona Joe

A young man in search of his lost father. An actress willing to do anything to become a movie star. A director in the making of his final film. They meet under the roof of a Soviet-era film studio ...
MIDPOINT účastníci: Dace SiatkovskaMatiss Kaza
Detail projektu

Behind the Wall

Before he dies, apartment complex owner wants to see his estranged daughter. Triska Rose abides, flying to Prague for the first time since leaving for the states as a teenager. But he dies while ...
MIDPOINT účastníci: Vasco VianaIuliia MamaevaLia Berger
Detail projektu

Vertebrae

In a quiet village by the Black Sea, local police officer Cosmina assists in investigating the suspicious death of a construction worker. The homicide unit quickly closes the case just as she ...
MIDPOINT účastníci: Ioana LascarAndrei Epure
Detail projektu

Welcome, Kinder!

Berlin, 1938. Life became unbearably difficult for Jewish citizen, peaking in the November pogroms. While an outrage goes through the world, Great Britain is the only country to take action. They ...
Detail projektu

Kilwater

During one of the first rescue missions under Marta command, a Swedish yacht mysteriously goes missing. This incident hooks the attention of Zora, Swedish prosecutor. The women join forces to ...
MIDPOINT účastníci: Kaja JalochaMalgorzata Pilacinska
Detail projektu

Rainbow Gravity

One night, after stealing illegal stash of hormones hidden in a panda sex toy, Ash, a gay drug dealer, and his lesbian friend Lily, along with their LGBTQ+ acquaintances in Belgrade, rush to sell ...
MIDPOINT účastníci: Andjela LazicSara SaricSara Saric
Detail projektu

Brain Drain

It's 2023 and Serbia is becoming a luxury travel destination thanks to Playground, popularly dubbed “Air BnB for bodies”. Wealthy tourists are pouring in for short term accommodations in the bodies ...
Detail projektu

Love is a Pitch

A group of quirky, dubiously skilled women in their 30s joins a second league football championship. Just as the reality of muddy pitches and experienced opponents sobers them up, they realize that ...
Detail projektu

The Fassbinds

Two brothers from the eccentric Fassbind family inherit the distillery and Grand Hotel. As genius businessmen, Siegfried invents the first distillery on rails, while Junior fights for the ...
Detail projektu

Účastníci

The next generation of Central and Eastern European series-content professionals

Development Executive Participants

Lektori

Inspirational professionals with passion for sharing their experience

To ensure the most complex approach to training, Series Launch works with established and well-respected industry names coming from Central and Eastern Europe, Western Europe, USA or Australia.

 

Head of Studies

The Head of Studies oversees the general methodology of the program, ensures the needs of the participants are met in the most effective way, and guarantees the practical value and industry impact of the training delivered.

Gabor is a trailblazing professional: showrunning three seasons of the HBO Europe high end drama Golden Life, he boldly went where no man has gone before!

Gabor Krigler
Hungary  
Gabor’s career began on the writing staff of a daily serial at the Australian-German firm Grundy UFA in 1999. He became a Creative Executive at the Budapest office of HBO Europe in 2010. In 2019, ...
Kompletní bio

Group Leaders

The Group Leaders oversee the development of projects in their group from the very beginning of the training until they graduate from the program. They also coach the development executive participant assigned to their group.

Gabor Krigler
Hungary  
Gabor’s career began on the writing staff of a daily serial at the Australian-German firm Grundy UFA in 1999. He ...
Kompletní bio
Steve Matthews
United Kingdom  
Steve Matthews is Banijay’s Content Partnerships Executive, where he acts as a key facilitator in the group’s ...
Kompletní bio
Tatjana Samopjan
Sweden  
Tatjana Samopjan's impactful lectures explore the interplay between storytelling, science, spirituality, social ...
Kompletní bio

Development Executive Mentor

The Development Executive Mentor attends and co-creates the training program for the development-executive participants, ensuring that it's implemented into group work and that the collaborative set-up simulates a real-life industry environment.

Christopher Haug
Norway  
Christopher Haug is a Norwegian screenwriter, consultant and executive producer. Haug began his career in television ...
Kompletní bio

Financing Tutor

Marike Muselaers
Sweden  
With almost 20 years of experience in the international film and TV industry, Marike recently joined the Nordisk Film ...
Kompletní bio

Producer Tutor

Nebojsa Taraba
Croatia  
Nebojša Taraba, producer & partner, production company DRUGI PLAN, ZAGREB (CROATIA). Drugi plan is a leading ...
Kompletní bio

Pitching Tutor

Agathe Berman
France  
Agathe Berman a.k.a The Pitchologist Pitch expert/producer/writer/teacher/artistic consultant. She trains and curates ...
Kompletní bio

Guest Tutors

These established professionals attend one of the workshops to share their particular professional expertise.

Benjamin Harris
Germany  
Kompletní bio
David Kavanagh
Ireland  
Kompletní bio
Ben Morris
United Kingdom  
Kompletní bio
Maggie Murphy
United States  
Kompletní bio
Cyril Tysz
France  
Kompletní bio
Tim Wagendorp
Belgium  
Kompletní bio

Experts

Zuzana Dzurindova
Slovakia  
Kompletní bio
Peter Nagy
Slovakia  
Kompletní bio
Tereza Polachova
Czech Republic  
Kompletní bio

Structure

A year long intensive program combining various formats

The 9 creative teams, split into 3 groups, work under the guidance of internationally renowned and experienced tutors and in close collaboration with development executive participants who are involved in all parts of the program.

  • All Participants
    Project Pre-training
    March 14 - 17, 2023 | Online

    Project team members are introduced to serial storytelling with lectures and dramaturgical consultations addressing the structural differences between features and series, and tackling the subject of the series concept and a pilot.

  • Development executive participants
    Pre-Training for DE Participants
    March 13 - 17, 2023 | Online

    Development Executive participants, guided by their mentor, are briefed and pre-trained in their basic script-editing skills.

  • All participants
    Workshop 1: Series Concept
    March 27 - April 2, 2023 | Prague, Czech Republic
    TEAMS WITH PROJECTS

    The creative teams are led to defining their series concept and theme, and outlining their pilot scripts. The workshop consists of group work, individual consultations, lectures and series analysis.

    DEVELOPMENTS EXECUTIVE PARTICIPANTS

    Each Development Executive is assigned to the group of projects and observes the group work led by the group leader. The participants get acquainted with the dynamics within the creative team. Their learning process is debriefed within meetings with the development executive tutor, as well as the project teams themselves.

  • All participants
    Online Consultations
    April - June, 2023 | Online
  • All participants
    Workshop 2: Season Arc and Mini-Bible
    June 12 - 19, 2023 | Czech Republic
    TEAMS WITH PROJECTS

    Creative teams work on completing their pilots, and creating their season arc and season outlines. They focus also on the project pitching documents, production aspects as well as the financing strategy.

    DEVELOPMENT EXECUTIVE PARTICIPANTS

    Development Executive participants continue the involvement in the group, serving as script editors, observing the work on the pilot episode, and getting trained in the financing strategies and production issues together with the creative teams.

  • All participants
    Online Consultations
    July-November, 2023 | Online
  • All participants
    Workshop 3: Pitching and Acquiring Partners
    November 9 - 15, 2023 | Tallinn, Estonia
    TEAMS WITH PROJECT

    Each project arrives with a revised pilot script and a completed pitch book/mini-bible. Workshop focuses on creating marketing strategies, refining pitching skills and familiarizes participants with the specifics of different segments of the series market. It concludes at the Industry@Tallinn & Baltic Event and its TV Beats market, offering debates, panels, lectures, case studies, master classes and the pitching presentation of all projects and participants within.

    DEVELOPMENT EXECUTIVE PARTICIPANTS

    The Development Executive participants are present at the pitching training and rehearsals of the projects and also prepare for their own presentations, to pitch themselves as industry professionals. They will also use the networking opportunities at the event for their future careers.

Gallery

References

A pushing experience that gives you confidence

Successful series

Selection of our successful alumni

FAQs

  • I have an idea of a series but it's still early development. Can I apply anyway?

    Absolutely! The sooner in the development process you apply, the better. Series Launch is designed as a "bottom-up" training program, and will help you create your show from scratch.

  • What the fudge is a development executive?

    In our region, you might know the profession under the term "television dramaturg" or "commissioning editor". It basically is the script consultant and person who oversees the creative development of series. He/she stands on the broadcaster's side mostly, but could also easily be a development producer at a production company. Read more by clicking on the links stated in the "Overview" folder of this page, or simply ask us.

  • I'd like to apply with a limited series. Am I eligible?

    Sure! But before you apply, take a moment and first think about why is a series format the one you're thinking of as opposed to a feature film. Is there an engine moving your story? Are you working with a more complex world? (...) Took that moment? Okay, so now apply.

  • Once selected, how much time should I allocate to the training?

    Quite honestly - a lot. Series Launch is an intensive training, and apart from the assignments and work done during the residential workshops themselves, it operates with a system of tasks and deadlines in between the three workshops. So clear that calendar out a bit.

  • Can I apply with a short form series (web series/digital series)?

    Not for this particular program. But brace yourself! We are also offering a special training for the short form series (under 20 mins per episode) creators! Check it out here.

  • I'm developing a 90-minute 3-part mini-series. Am I eligible?

    Sadly, no. Based on our experience, the series rules do not quite apply to formats running over an hour and tend to behave more like feature films. It certainly is a format finding its place on television, we've however opted to focus our training to projects that are series in their core.

  • Can I apply with a reality show, documentary or animation series project?

    Sadly, this program does not work with reality show, animation or documentary projects, its focus are fiction series projects (drama, comedy, etc.).

  • I’m a writer. Can I apply myself?

    Apply yes. But please note that to be able to enter the training, you'll have to partner up with an independent producer. This is important as the creative collaboration between the writers and producers represents the core of MIDPOINT Institute in general and moreover, it is an essential part of the development process. 

  • What is the ideal number of project team members?

    Taking into account the methodology of collective group work, we strongly recommend applying as a project team consisting of 2-3 creators, ideally consisting of writer, (co-writer), and producer.

  • I have difficulty finding a producer: Can I still apply with my project?

    The way how Series Launch is designed, a producer is really needed to be on board. You can consider coming as a writer-producer yourself and taking on another co-writer. It would only mean that you'd have to take over the position of the producer at a certain point of the training and focus more on production planning.

  • I'd like to apply as a writer and a producer at the same time.

    This is of course possible, but as series writing, in general, is team-based, we really really really suggest bringing another writer with you. During the workshop, you'll be asked to brainstorm and come up with new, and then some new, and then other new ideas, and this is difficult to do in a one-man-show set-up. It might come in handy to have somebody to bounce off your ideas along the way.

  • Can we replace the members of our project team in the course of the training?

    The continuity of work of specific persons during the entire program is essential. Therefore, it is not possible to add (or replace) the team members during the program.

  • The creator is a novelist/playwright.

    We embrace all kinds of talent coming from different types of backgrounds. But because we actively and intensely work during the run of the program (both during and outside the residential workshops), it might be a good idea to bring an actual screenwriter – somebody who's familiar with screenwriting structure and formatting and used to day-to-day deliveries, as the tempo and demands during the workshop might seem a bit overwhelming for a first-time writer. This person can be added to the team alongside the creator.

  • I have this great idea for a show based on a historical figure...

    Great! We love those. But don't forget that you're not writing a Wikipedia profile for a specific person or event in history, you're telling a story. Don't describe it; narrate it. Pitch it to us as if we were the viewers already watching the show on the screen.

  • Do I have to pay the whole amount of the participation fee at once?

    It is possible to pay the participation fee in three instalments corresponding to the three parts of the training program (i.e., 3 * 600 EUR per participant).

  • Does MIDPOINT Institute offer scholarships?

    It does. However, these are only partial, cannot be allocated to all participants, and their granting therefore considers various criteria. We HIGHLY recommend applying to a local supporting organization (national or local funds, ministries of culture or education, professional associations, etc.) at the same time you're applying to MIDPOINT Series Launch. You can always withdraw your application if not selected, but as the processing time of this support can be rather long, it might be quite late to do this once we confirm you're in.

  • Am I eligible to apply for a scholarship?

    We don't have a particular list of eligible countries, as basically the entire region we work with is eligible. We do give out scholarships; their allocation and value depend on the selected projects and teams - based on how many of them come from countries with no system of support.

  • How do I write my biography/resume?

    Be clear about which of the projects you're mentioning were actually produced/released and which are being developed, and with the ones already made, name a few specific results (festivals, awards, number of viewers, etc.).

    Also be clear what specifically your role was in these projects. Mention relevant international training programs you've participated in the past, interesting collaborations you've been

    a part of and in what role, industry events / presentations you've taken part in and in which capacity.

  • What exactly is a “series pitch” and “statement of purpose”?

    You can find a detailed description on all the requested submission materials on the first page of your submission form. You can access the form once you've created a profile at the MIDPOINT Visitor Page (see instructions in the "Application" segment of the program’s web profile).

    No worries! You can save the form anytime you like and come back to it later, and you can also save or submit any number of applications you like!

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